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Good method on how to destroy a masterpiece and make it vulgar and hideous.This repository contain only Remix's official Read the Docs documentation source code. Neil's "he so discreet" camp spoken bits are very (2): Sounds cheap compared to the (7) Love how bouncy it is but I’d prefer it without Elton, (7): if I'd shagged Elton I wouldn't admit it in public either [SNØRT – Noir (2) Leaden, pointless compared to (0): It’s in the Kurt Weill and the Gainsbourg covers’ league: an abomination.
His presence makes the track infinitely worse. Elton doing his weird "I’m Elton John" singing. In this case, Dusty’s version pretty much wins - the vocals just don’t do much for me on this one, especially from (5): unnecessary -why must they do a new version and spoil a perfectly good City (4.5) Amazing song but this is relatively embarrassing and pointless. I can’t stand the (8): Really don’t care for Elton or his voice, but the melody is strong (love Dusty’s version) that paired with the amped up production I have no choice but to Days (5.5): I quite like Dusty’s version of this, so it was gonna be hard to compare right out the gate. And that’s all I have to say on the matter, really. I'll see myself (7): This would be an 8 or 9 without Elton. Elton is unecessary (0): What has this song done to deserve (10): Sue me but I love the combination of their voices and it's a much better version than the boring 'original'. The Dusty track is a favourite but this just takes the life out of it. Not as good as Dusty, of (5): Elton’s voice next to Neil’s gives me (2): Why did this have to be done. ‘WHAT ARE YOU GONNA SAY?!?!’ Stomps all over Dusty’s (very good) recording (7.5): This was always a good song, and as I love me some Elton John I don't hate this version as much as most of the fans. I’ll stick with Dusty’s (10): That middle-8 is possibly the best thing ever committed to record. I’d give it a zero if it wasn’t for the fact that I know that there’s a fantastic song in (4): Elton’s vocals don’t exactly shine here. This, though, is an out and out disaster. That said, the Tomcraft remix with its somewhat loose approach to things like “harmony” and “key structure” and “musicality” is a blast, and would get an 8 from me. Dusty’s version of this is definitive - yes, it’s a Motown pastiche, but it’s a very effective one. Maybe it's a talented six-year old, but.why? Just why? Yes, I feel quite strongly about it, how did you (1): Actively difficult to listen to in full, and an object lesson in how a song can be raised up or pulled down by choices of arrangement and vocalist. It's like taking a symphony and asking a six-year old to play it on his virtual keyboard. I would have given it a 4 or even 5, though, had it not been for the original Dusty version. Neil's and Elton's voices – never quite like Dusty's – clash in the worst way. This sounds like one of the worst 'Karaoke Tribute to Dust Sprignfield' Casio productions you can find on Spotify. I just assumed they were really out there. Neil You realised they had no notion of what a key was.Ĭhris I think it was deliberate. An impenetrable remix.Ĭhris It was fantastic. Neil But even so we got Tomcraft to work on a remix. But Parlophone didn't think it was a single.
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He couldn't get over the fact that Chris spent most of the day lying on the sofa, including falling asleep.Ĭhris He wanted the full experience, didn't he? I think I even managed to fit in a ham sandwich. When he came in he said, 'I'm so excited because I'm such a fan'. Ray I am starting to hate the words 'very quickly' when they use them in their commentaries. We did it very quickly because he knew the song very well. We didn't use the backing track from Dusty Springfield's version – we recorded the track again. Anyway, we now got him to do 'In private' with us. Elton had appeared at the Stonewall show a few years previously and he got the backing tracks from us and sang 'It's a sin and 'In private! Unfortunately we were on tour and we couldn't go I've always wished we could have seen that. The idea was to do a duet, and we suggested two songs.
Highest score: 2x10 ( score: 3x0 ( Elton John phoned up and said, 'I think we should do a track to put on your greatest hits'. But so are two other voters with exquisite taste.
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